WEBVTT

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So, yeah, that was a nice introduction. I just had a bit more context. So I'm a linguist

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and specifically I'm a discourse analyst. So I'm interested in how language, primarily,

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but also other modes of communication like imagery and visuals, help to really construct

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and shape our social realities. And today I'm going to talk about some work that I've

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been doing looking at the language and images that we use when we talk about and communicate

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about dementia. I'm going to talk about this work because I think it provides a nice demonstration

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of the digitalized method but also the digitalized data. So I'll get back to that idea shortly.

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Okay, it works. So I want to start with a bit of context about dementia itself. So dementia

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is a syndrome characterized by progressive deterioration in the brain and this leads

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to symptoms like memory loss and problems with thinking and coordination. The term

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dementia doesn't refer to one specific disease. Many people would use it in that way but it's

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actually an umbrella term as sort of demonstrated by this visual from Kate Swaffer. So it's

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an umbrella term and there are actually over 100 different types of dementia. And the most

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common type is Alzheimer's disease which I think most people have heard of but there

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are lots of other types too. Dementia is a major global public health challenge. So in

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the UK which is the context that I live and work in, dementia currently affects around

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900,000 people but that figure is estimated to rise to 1.6 million people by the year

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2040. There's presently no known cure for dementia. So it's a chronic condition and

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that means that people who develop it and are diagnosed with it will eventually die

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with it as well. However, and importantly for a point I'll make a bit later, while

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people die with dementia they don't actually die of it. The most common cause of death

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in people with dementia is actually pneumonia. So the work I'm presenting today is from the

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public project called Public Discourses of Dementia. So the project's funded by UKRI

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which is the main research funder in the UK and it's based at Lancaster University.

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There are two of us working on the project. I'm the one on the left obviously. So I'm

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the PI and I'm working with the brilliant Emma Putland who's the Senior Research Associate

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on the project. And in this work we're exploring how dementia is represented across a wide

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range of contexts of public communication focusing as I've mentioned on language and

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imagery. So we're looking at things like the news, social media, online support groups,

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public health campaigns, the language that charities use and most recently we've been

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looking at generative AI and that's something I'll talk about later in this session.

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Importantly we're working with stakeholders from the media and from charities and also

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people from public health all with the aim of developing linguistically informed context

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sensitive guidance and training that we can provide to those different stakeholders to

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really help them to communicate about dementia in ways that reduce stigma and reduce the

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shame around it but also promote some genuine awareness.

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So the first question I want to consider today to demonstrate what some of the work we're

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doing looks like is how is dementia represented in UK newspapers? And here I want to focus

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in particular on how newspapers use metaphorical language to talk about dementia. And in this

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work I've drawn on I guess the digital as method and specifically corpus linguistics.

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So corpus linguistics for those, by a show of hands of people, are people aware of corpus

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linguistics? Do people know? I'm curious who's heard of corpus linguistics? Oh great.

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OK I can do this slide pretty quickly. There are still some that aren't initiated but yeah.

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So corpus linguistics is essentially a collection of methods for studying linguistic patterns in

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very large collections of naturally occurring language use or corpora. This language data

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is stored in a digital format which means we can examine it using computer software

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and because it relies on computer software in this way corpus linguistics methods are

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quite well equipped to deal with very large data sets, digitised data sets, typically

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millions of words, sometimes billions of words. So corpus is an electronic collection of naturally

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occurring text which have been selected to be representative of a particular language,

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a language variety and the words I've highlighted here signal some of the main features of a

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corpus. I won't go into lots of detail about what corpora are now but I can provide some

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further reading for those interested but this is probably enough for you to understand the

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approach that we're taking. But essentially when we're looking at corpora and we're using

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corpus linguistics techniques we're interested in patterns, we're interested in frequency

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but we're interested in patterning so things that happen a lot or sometimes things that

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don't happen a lot that run contrary to a pattern across a corpus, across a collection

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of texts. So for the analysis that I'm talking about here I compiled a corpus containing

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all UK national tabloid news articles mentioning either the word dementia or dementia as once

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in their headline and or three or more times throughout the article. I sampled articles

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over a period of ten years between 2010 and 2019 so that was 6,751 articles which came

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to just under four million words of data. And the analytical approach that I took to

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identifying and interpreting the use of metaphor in this data was sort of a mixed methodology

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which drew together techniques from corpus linguistics as I've mentioned but also frame

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analysis and critical discourse studies. So I started by using the corpus linguistic technique

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of collocation analysis to identify metaphorical patterns. Now collocation is essentially the

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phenomenon where two words tend to occur together in very close textual proximity and do so

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very often or with some frequency. And in this process what happens is that words can

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become associated with each other in language users' minds and these associations develop

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through exposure over time. And corpus linguistics techniques can help us to identify these kinds

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of patterns, these collocations by searching for words that frequently occur together across

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large collections of text across large corpora like my news corpus, corpus of news articles

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about dementia. And so in this study I used collocation analysis to look at words that

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frequently occurred alongside the word dementia in the articles in order to identify frequent

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uses of metaphorical language. And there's a bit of technical information there at the

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bottom about how I did that. It's not so important but for those who are interested that's there.

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So having analysed those collocation patterns manually to identify metaphorical patterns

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I then interpreted those collocates which did tend to be used metaphorically in terms

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of the frames that they contributed towards. So here I draw on Goffman's notion of frames

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as organising principles which help us to make sense of a thing and to represent it

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by foregrounding some elements and backgrounding others. So I was interested in the framing

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function that these metaphors performed. Through the framing analysis I was able to group the

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metaphors according to the particular aspects of dementia that they represented. And these

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were dementia's prevalence, its causes, its symptoms and prognosis, the lived experience

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of dementia and then responses to it. So how as a society we should deal with this challenge.

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And then my analysis importantly was also critical. So I wasn't interested in just describing

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these patterns but I also wanted to interpret the metaphor and their framing functions as

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being both constitutive of and constituted by their contexts. So I was interested in

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contexts of production for example. So how the metaphorical framings might serve the

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commercial or ideological aims of the newspapers I was investigating. In terms of the broader

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socio-cultural context I wanted to consider how the framings might reflect but also shape

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societal experiences, understandings and indeed actions in relation to dementia. I think a

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ghost has come in. Oh it's left. Okay. So onto some analysis. Beginning with dementia's

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prevalence this was framed using metaphors belonging to a diverse range of domains but

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all of them conveyed a sense in which the prevalence of dementia was high and also rising.

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So most frequently the articles drew on the domain of sports and competition to frame

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dementia as the leading cause of death in the country. This is indicated in uses of

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collocates like leading, leader, overtaken and overtook which frequently occurred alongside

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the word dementia. For example in this extract at the top we see dementia is described as

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overtaking heart disease to become the leading cause of death and it also knocks heart disease

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off the top of the table like the premier league of diseases or something. Violence

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metaphors were also used to frame dementia's prevalence where its incidence could be quantified

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in terms of the number of people who had been hit by it or what its death toll was. Related

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to the violence metaphor dementia was also construed as a weapon so a bomb or a time

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bomb which I think foregrounds dementia's not only its rising prevalence but also implies

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that this would continue to grow to disastrous effect. And dementia's growing prevalence

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was also rendered as an epidemic and then around a fifth of cases as a silent epidemic.

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Now at first glance the use of that kind of language might not appear metaphorical because

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we talk about health problems as epidemics but sort of belongs to the domain of illness.

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However strictly speaking the term epidemic actually denotes the spread of infectious diseases

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which dementia certainly is not. And when we look at general language use like Michaela

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did this morning I consulted the British National Corpus and found that when we talk about epidemics

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we usually do this to talk about some kind of negatively evaluated phenomenon so things

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like crime or knife crime in particular and the illegal use of drugs things of that nature.

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So like the ticking time bomb metaphor then the epidemic metaphor helps to provide that

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kind of negative evaluation of dementia prevalence. In terms of its causes these could be framed

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using a domain of movement with certain behaviours and risk factors being construed as speeding

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up the development of dementia so we get collocates like accelerate, accelerated and speeds. As

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well as focusing on the environmental risks associated with dementia the newspapers also

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reported on certain biological factors particularly protein variants and parts of the brain to

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which dementia onset had been attributed. So these risks could be framed in violent

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terms where parts of the brain attack other parts of the brain. So a striking example

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of this is the notion of rogue cells or the dementia dagger cell which is a part of the

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brain which then attacks other parts of the brain's cause dementia. And as this bottom

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example shows these kinds of creative uses of language aren't necessarily invented by

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the newspapers themselves but sometimes they're intertextual or interdiscursive they borrow

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them from other sources in this case it's from actually from an academic journal article

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so from the genre of science writing. So we're beginning to see a prevalence of violence

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and militaristic tropes and this was particularly the case for how the newspapers framed dementia

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symptoms and its prognosis. In these cases dementia is anthropomorphised so it's constructed

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as another social actor and one which inflicts forms of violence on those who are diagnosed

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with it so dementia could be construed as a thief which robs and steals people of their

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memories their cognitive function and even their personhood. Other symptoms are framed

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as forms of violence in more generic terms so we get dementia described as something

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which ravages and strikes. In terms of the prognosis the newspapers frequently foreground

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a fatalistic view of dementia so they frame it as a murderer that kills people diagnosed

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with it so essentially if you get dementia it's a death sentence it will kill. And then

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this fatalistic framing is supported again by some kind of anthropomorphic characterisation

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of dementia which gives it qualities that imply it to be not only a violent actor but

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one that inflicts violence willfully and deliberately so we get words like brutally cruel, cruelest,

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heartless and savage. Consistent with the metaphorical framing of dementia as a cruel

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and brutal actor that inflicts violence the lived experience of dementia could also be

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characterised in terms of conflict so people with the condition are framed as battling,

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facing and struggling with dementia. Other constructions were less agentive though on

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the part of people with dementia so they don't even put up a struggle or a fight. In those

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cases people could be described as victims or a victim of dementia or being described

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as being in dementia's grip or hold without much resistance or being struck by it passively.

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Meanwhile the framing of people with dementia as succumbing or having succumbed to dementia

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arguably implies an initial struggle or resistance but an eventual failure or even surrender

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as we see in this example here. Another set of metaphors which similarly frames people

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with dementia as victims are found in stories which focus in particular on cases where they've

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been abandoned by their relatives so in this case we get people with dementia equated to

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kind of waste that's being disposed of so we get people with dementia being described

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as being dumped, dumped in care homes, dumped in hospitals, in some cases dumped on the

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street. And the negative appraisal of life with dementia is also conveyed through metaphors

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which frame the experience of it in horrific or even apocalyptic terms so we get life with

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dementia described as hell, a horror movie, a nightmare. And we also get more subtle kind

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of constructions in that same way through the collocate descent which is a kind of spatial

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metaphor which constructs life with dementia as downward movement into the condition and

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draws on that broader association that we have of things going down being bad or getting

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worse. Not all metaphors necessarily imply this kind of negative outlook on life with

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dementia though or even foreground the victimhood of people diagnosed with it. And a particularly

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frequent kind of counter example to that trend is the characterisation of the relationship

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between dementia and the person with it as one of companionship. So this is indicated

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in uses of the collocates live and living. And this companionship metaphor I think is

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more flexible than those that I've described so far because it could be used to describe

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the relationship that a person has with dementia in more or less harmonious terms as these

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two examples show. So sometimes life with dementia is very difficult but sometimes it's

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not that difficult and dementia isn't the thing that defines a person's life and the

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uses of these metaphors can help to convey that. And likewise the metaphorical framing

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of dementia as a journey could be used to appraise life with the syndrome in more or

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less positive terms as well as to foreground mixed experiences in dementia's progressive

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nature so it's actually quite helpful from an awareness raising perspective because the

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experience of the syndrome changes over time. Finally now, last set of metaphors I promise,

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how do we respond to dementia in society? What must we do? Well the most pervasive metaphorical

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domain in this category was again violence and here we see the response to dementia framed

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as a war or a battle or a mission against the syndrome and this is one usually that

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the whole of society is involved in. And in the majority of cases the key to victory in

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this war is the development of pharmacological interventions so essentially a cure or some

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kind of drug. Relatedly the promise of studies and pharmacological trials could be framed

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as having the potential to beat dementia in a race or to slow, stop or reverse dementia's

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movement. While other metaphors imply that there is a cure for dementia somewhere out

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there in the world and that it exists, it just has yet to be identified by scientists

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so these scientists are undertaking a quest or a hunt or looking for clues to find the

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key to curing the syndrome. So although the vast majority of metaphors focused on biomedical

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response to dementia, so the development of drugs and curative treatments, in a small

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minority of cases the articles focused instead on social care so how we support people living

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with dementia in the here and now. And this was particularly the case in the use of gambling

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metaphors so we get the quality of social care critiqued in newspapers through gambling

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metaphors so social care is a postcode lottery so it varies a lot where you live but it's

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a lottery you don't know whether or not you'll get good care or even a Russian roulette

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regarding how well prepared your local hospitals are to deal with you if you have dementia

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and again that's also a violence metaphor because Russian roulette can be quite violent.

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So this has been a bit of a whistle stop tour of a wider programme of work but I hope I've

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been able to illustrate some of the more prominent patterns in dementia press representation.

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So there are a wide range of tropes with the particular prominence of anthropomorphising

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metaphors which equate dementia variously to a companion, a competitor but most commonly

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actually to a violent killer. Almost all metaphors foreground the agency of dementia, this is

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something that came up earlier today this question of agency and I think it's particularly

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important here. In many cases we see dementia anthropomorphised as a social actor, the disease

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as an actor and those same metaphors background or preclude altogether the possibility that

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the person living with the syndrome can have agency in this process. As an agentive force

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dementia moves and invades, it races against and hides from those seeking to cure it and

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it competes with other conditions to become the leading cause of death in the country.

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People with dementia meanwhile are largely denied agency, they tend instead to be rendered

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as the target of violent actions such as murder and theft.

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Now a lot has been written about violent metaphors and broadly they have the potential

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to stigmatise a disease or an illness or any health topic by framing those affected by

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it as the enemy of some kind of war and their bodies are then rendered as metaphorical battlefields

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and we saw this in how the press could frame the parts of the brain as attacking other

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parts of the brain for example. A further issue with violent metaphors is that if the

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disease prevails and the person fails to recover then those affected are often viewed

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as having lost that metaphorical battle and in the case of dementia as we don't have a

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cure this is at present a battle that people will inevitably lose.

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But dementia stigma is not propagated just through metaphors of violence, we also saw

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the nightmarish scenarios, the apocalyptic scenarios and lots of other patterns which

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broadly foreground dementia's most disastrous and fear inducing aspects while backgrounding

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if not shutting down altogether the possibility of living well with dementia which actually

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many people do as long as they have the right support around them.

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It's not all bad news though, I know it's a bit doom and gloom and the weather seems

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to have gotten darker since I started talking about this as well, maybe it will get brighter

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when Marianna starts talking. But some of the metaphors might actually be more helpful

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in terms of reducing stigma and raising awareness so those which frame the experience of dementia

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as a journey or which characterise it as companionship respectively articulate the progressive and

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chronic nature of the syndrome but they could also be used more flexibly in foreground

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not only negative but also positive aspects of life for somebody experiencing dementia

00:21:28.240 --> 00:21:33.000
I think this is important because people living with this syndrome experience it differently

00:21:33.000 --> 00:21:38.640
and no two days are the same.

00:21:38.640 --> 00:21:43.920
So the second part of my talk which I promise is a lot shorter don't we?

00:21:43.920 --> 00:21:46.960
Sabina getting scared on the front row!

00:21:46.960 --> 00:21:51.320
Yeah it's much shorter. So having used digital methods to look at how newspapers talk about

00:21:51.320 --> 00:21:55.640
dementia and I want to switch my focus to the digitalised data and here I want to look

00:21:55.640 --> 00:22:01.120
at how AI generated imagery might represent dementia visually so I'm also flipping from

00:22:01.120 --> 00:22:05.600
the textual to the visual or the linguistic I should say to the visual. And this is something

00:22:05.600 --> 00:22:10.440
I got interested in as some dementia charities and advocacy groups that I've been collaborating

00:22:10.440 --> 00:22:16.080
with had indicated that generative AI tools could actually be really useful for them in

00:22:16.080 --> 00:22:21.600
terms of crafting and creating text and so my instinct was to think about okay that's

00:22:21.600 --> 00:22:25.800
great for them in a practical sense but how could this be used critically and what as

00:22:25.800 --> 00:22:31.360
a linguist and a discourse analyst could I do to help them to get to that point?

00:22:31.360 --> 00:22:36.860
So for a bit of context just as the invention of the printing press revolutionised the sharing

00:22:36.860 --> 00:22:43.540
of information through printed media today generative AI is increasingly influencing

00:22:43.540 --> 00:22:50.360
the ways in which we communicate and here what happens is that a user gives a textual

00:22:50.360 --> 00:22:57.840
prompt to an AI tool and then that tool can generate text and also in many cases images

00:22:57.840 --> 00:23:04.240
in response and it does this having been trained on a huge database of language and or in this

00:23:04.240 --> 00:23:11.800
case captioned images. Now text to image generation is an increasingly

00:23:11.800 --> 00:23:17.600
accessible and popular way of creating visuals for professional text producers. For instance

00:23:17.600 --> 00:23:22.920
stock image banks like Getty and Shutterstock are now offering users the option to generate

00:23:22.920 --> 00:23:27.120
their own images as well as to buy pre-made ones so you don't just have to buy an image

00:23:27.120 --> 00:23:32.240
from Getty you can say these are all rubbish I want one that does this so get an AI tool

00:23:32.240 --> 00:23:38.360
to make you one that does just that and this is significant as image banks are a leading

00:23:38.360 --> 00:23:43.960
force in producing and disseminating visual representations of all kinds of social phenomena

00:23:44.280 --> 00:23:48.240
including the kinds of images actually that we find in newspapers and other mass consumption

00:23:48.240 --> 00:23:55.320
texts. Now many ethical debates currently surround AI and AI generated imagery and greater

00:23:55.320 --> 00:24:01.320
critical literacy is definitely needed at all levels. Increasingly realistic AI generated

00:24:01.320 --> 00:24:06.800
images and videos risk worsening misinformation with potentially world altering health, social

00:24:06.800 --> 00:24:13.640
and political ramifications and to exemplify that I provided here perhaps infamous example

00:24:13.960 --> 00:24:19.640
of a false image that did the rounds a couple of years ago of Donald Trump being arrested

00:24:19.640 --> 00:24:26.640
and this was generated using an AI image generation tool but it did the rounds on social media

00:24:26.640 --> 00:24:30.600
of course because of the High Court judgment we know that this isn't actually possible

00:24:30.600 --> 00:24:37.600
so it must be a false image. AI bias is another central concern so research has shown that

00:24:37.600 --> 00:24:44.440
AI can not only reflect but actually amplify pre-existing human stereotypes in terms of

00:24:44.440 --> 00:24:49.680
how it represents individuals from particular backgrounds. So at the bottom of this slide

00:24:49.680 --> 00:24:54.840
here I've included a couple of examples from a study carried out by Bianchi and colleagues

00:24:54.840 --> 00:25:01.840
where what they did was they typed in words like poor into an AI image generation tool

00:25:02.040 --> 00:25:09.040
and they found that the word poor was particularly likely to elicit images of black people while

00:25:09.040 --> 00:25:15.040
the word attractive tended to elicit images of white people. Meanwhile occupations they

00:25:15.040 --> 00:25:20.040
also found were gendered with roles like software engineer being associated with men and housekeeper

00:25:20.040 --> 00:25:27.040
being associated with women. And the same can be said for these for other kinds of bias

00:25:27.040 --> 00:25:34.040
as well. So Bianchi and colleagues found persistent visual stereotypes when they searched across

00:25:34.040 --> 00:25:40.040
different tools. They found even that altering the text prompt to generate less oppressive

00:25:40.040 --> 00:25:46.040
imagery often didn't mitigate racist, sexist and ableist biases and again these biases

00:25:46.040 --> 00:25:52.040
often intersected with one another. So for example the authors found that typing in a

00:25:52.040 --> 00:25:57.040
blonde woman leading a meeting worked. Okay great it wasn't just men leading a meeting

00:25:57.040 --> 00:26:03.040
and even blonde women could lead a meeting in an AI image tool. Fantastic. But if they

00:26:03.040 --> 00:26:09.040
replace the word blonde with the word disabled then the visually disabled woman in the image

00:26:09.040 --> 00:26:13.040
is shown instead listening to another woman leading the meeting rather than actually

00:26:13.040 --> 00:26:19.040
leading that meeting herself. So there's something happening algorithmically which means that

00:26:20.040 --> 00:26:26.040
these tools essentially can't generate an image of a woman in a wheelchair leading a

00:26:26.040 --> 00:26:31.040
meeting and that's because the online data that these tools are trained on simply don't

00:26:31.040 --> 00:26:36.040
have enough of those kinds of representations out there in the world for these tools to

00:26:36.040 --> 00:26:42.040
draw from and use when they're creating imagery. Okay so what we wanted to do in our analysis

00:26:42.040 --> 00:26:47.040
was to see whether certain kinds of bias or stigma around dementia would also emerge if

00:26:48.040 --> 00:26:53.040
we used this kind of tool to create images of people with dementia. And for this we used

00:26:53.040 --> 00:26:59.040
a tool called stable diffusion and using this tool we created 171 images using the simple

00:26:59.040 --> 00:27:04.040
prompt dementia we kept it very simple. I've also displayed some of the settings that we

00:27:04.040 --> 00:27:09.040
used to create the images here in case people are interested. This isn't really my bag,

00:27:09.040 --> 00:27:14.040
that's something that one of my collaborators did, he's into this and he understands it

00:27:14.040 --> 00:27:20.040
in industry practices. I don't really, I'm coming at it as a fairly naive discourse analyst.

00:27:20.040 --> 00:27:25.040
But looking at the images generated we were first of all interested in who was shown as

00:27:25.040 --> 00:27:32.040
having dementia and there were clear stereotypes in this regard. Notably the person was shown

00:27:32.040 --> 00:27:38.040
to have dementia tends overwhelmingly to be white with clear signs of older age, that's

00:27:39.040 --> 00:27:45.040
very visible. For example having visible wrinkles and white hair. But this sort of ignores the

00:27:45.040 --> 00:27:50.040
reality of the many people living with early onset dementia which can actually start in

00:27:50.040 --> 00:27:56.040
your 40s and sometimes even in your 30s. There's a similar lack of diversity in the characteristics

00:27:56.040 --> 00:28:02.040
attributed to those individuals who tended overwhelmingly to be shown alone in isolation

00:28:03.040 --> 00:28:09.040
and in passive and immobile poses with expressions or gestures conveying sadness, suffering or

00:28:09.040 --> 00:28:15.040
a sense even of being vacant. These figures also tend to be set against empty backgrounds

00:28:15.040 --> 00:28:21.040
that provide little to no context about the individuals and they also tend to look off

00:28:21.040 --> 00:28:27.040
camera or have their eyes closed even and I've indicated in these cases using arrows and

00:28:27.040 --> 00:28:32.040
so arrows show the direction of the eye gaze and a cross shows where people have their

00:28:32.040 --> 00:28:38.040
eyes closed. Now I'd argue that this distinct lack of eye contact mimics real life in that

00:28:38.040 --> 00:28:43.040
not looking towards the viewer encourages viewers to observe these individuals rather

00:28:43.040 --> 00:28:49.040
than to seek to connect with them as individuals or even on an emotional level. So these kinds

00:28:49.040 --> 00:28:55.040
of averted gazes help instead to create a sense of social distance between us as the

00:28:55.040 --> 00:29:03.040
viewers and the represented participants i.e. the people with dementia. The main way that

00:29:03.040 --> 00:29:07.040
people living with dementia are contextualised when that happens is through their brains

00:29:07.040 --> 00:29:13.040
and certain neural processes which are presented in these cases as being abnormal. So in

00:29:13.040 --> 00:29:19.040
foregrounding this biological even neurological focus the images again necessarily background

00:29:19.040 --> 00:29:26.040
the individual. There's no possibility for an even simulated life or kind of life world

00:29:26.040 --> 00:29:33.040
beyond the defective brain and any non-medical aspects of life with dementia for that matter.

00:29:33.040 --> 00:29:38.040
Instead the people are reduced to their brains and to neurological processes and faulty ones

00:29:38.040 --> 00:29:44.040
at that. A number of the images show dementia metaphorically, don't worry I won't bang on

00:29:44.040 --> 00:29:50.040
about metaphor for too much longer, but using visual metaphors of a tree. Trees are widely

00:29:50.040 --> 00:29:56.040
regarded as a symbol of life and an image of seasonal change. Thank you Sabina, that's

00:29:56.040 --> 00:30:02.040
perfect. Here then it's notable that these trees are consistently bare when they're shown

00:30:02.040 --> 00:30:09.040
in context of dementia. Elsewhere the lost leaves for these bare trees have been associated

00:30:09.040 --> 00:30:14.040
with lost brain cells, lost memories or even a loss of personal qualities. This notion

00:30:14.040 --> 00:30:19.040
of dementia as a tree is quite a common trope, it's interesting to see these tools reproduce

00:30:19.040 --> 00:30:26.040
it here. So if the life cycle can be regarded as a metaphorical seasonal cycle with spring

00:30:26.040 --> 00:30:32.040
as birth and then these bare trees signal a personal winter for the person living with

00:30:32.040 --> 00:30:38.040
dementia and of course that's the season widely associated with bleakness and death. And this

00:30:38.040 --> 00:30:44.040
living death connotation I'd argue is enhanced by the dullness and blandness and lifelessness

00:30:44.040 --> 00:30:49.040
of the colour palette here. So we tend to see that it favours blues, beiges, greys and blacks

00:30:49.040 --> 00:30:57.040
over more vibrant colours. Okay so in summary the AI generated images reproduce the kinds

00:30:57.040 --> 00:31:03.040
of stereotypes of people living with dementia that we've observed early including in the

00:31:03.040 --> 00:31:07.040
kinds of news text that I showed you earlier in this talk. And I'd argue that these kinds

00:31:07.040 --> 00:31:12.040
of depictions can therefore draw on and reinforce the stigma and shame that currently surrounds

00:31:12.040 --> 00:31:19.040
dementia. So there's clear evidence that the images generated by tools like stable diffusion

00:31:19.040 --> 00:31:25.040
reproduce existing discourses and existing stereotypes. In this case they emphasise old

00:31:25.040 --> 00:31:31.040
age, the faultiness and fragmentation of people's minds and brains and they focus on loss of

00:31:31.040 --> 00:31:36.040
abilities and loss of self. Suffering is also emphasised and people with dementia are distanced

00:31:36.040 --> 00:31:42.040
from others throughout. Taken together these patterns contribute to a sense of deathliness

00:31:42.040 --> 00:31:47.040
and reproduce the metaphorical choke that people with dementia and people with dementia

00:31:47.040 --> 00:31:53.040
are the living dead. And importantly I've highlighted the word reproduce here as these

00:31:53.040 --> 00:31:59.040
images don't constrict new visual discourses but simply reproduce or even recycle precisely

00:31:59.040 --> 00:32:05.040
the kinds of representations that surround dementia on the data on which these tools

00:32:05.040 --> 00:32:11.040
are trained. Such representations are of course partial. They offer just one way of looking

00:32:11.040 --> 00:32:15.040
at dementia. And on the other hand there's a distinct lack of consideration here for

00:32:15.040 --> 00:32:21.040
individuals' unique personalities and the focus on deficit and what is lost leads to

00:32:21.040 --> 00:32:26.040
a lack of attention on what kinds of abilities might remain following a dementia diagnosis.

00:32:26.040 --> 00:32:31.040
There are other perhaps more productive and life-affirming ways of looking at dementia

00:32:31.040 --> 00:32:35.040
or discourses around it that aren't really visible at all in AI generated data and that's

00:32:35.040 --> 00:32:41.040
also true for linguistic textual data that I've generated using these tools in other projects.

00:32:41.040 --> 00:32:48.040
Instead what could be possible is foregrounding the diversity of people who have dementia

00:32:48.040 --> 00:32:53.040
or fostering a sense of connectedness or the sense that life can continue after a dementia

00:32:54.040 --> 00:32:59.040
diagnosis. Thank you. That people aren't reduced to their suffering and that dementia can help

00:32:59.040 --> 00:33:05.040
them to critically reflect on existing social norms and allow us to do that as a society

00:33:05.040 --> 00:33:11.040
and to reflect on existing discourses. These opportunities are lost. Now at this point

00:33:11.040 --> 00:33:15.040
it's important to recognise that there were some exceptions to the overall trends I've

00:33:15.040 --> 00:33:21.040
talked about. For instance a few of the AI generated images, three of which I've put

00:33:21.040 --> 00:33:26.040
on this slide, provide alternative portrayals that instead emphasise connection and activity

00:33:26.040 --> 00:33:33.040
and so overall suggest the potential for more diverse representation. And to end on a more

00:33:33.040 --> 00:33:38.040
hopeful note, I realise this has been such a bleak talk, I'm so sorry everyone, goodness,

00:33:38.040 --> 00:33:44.040
as academics and I think as a society as a whole there's scope for us to explore how

00:33:44.040 --> 00:33:49.040
tools like generative AI tools like stable diffusion can be used for human good in the

00:33:50.040 --> 00:33:55.040
future. However I think right now this needs some working out and it certainly requires

00:33:55.040 --> 00:34:01.040
some change. Indeed generative AI is continuously developing and the kind of work I've presented

00:34:01.040 --> 00:34:07.040
here aims to be part of a broader critical conversation that highlights the socio-political

00:34:07.040 --> 00:34:12.040
effects of such emerging technologies and the kind of emerging genres that they bring

00:34:12.040 --> 00:34:18.040
with them. Whether we like it or not, it seems like generative AI certainly isn't going

00:34:18.040 --> 00:34:23.040
anywhere, so as a society I think it's imperative that we better understand the implications

00:34:23.040 --> 00:34:29.040
of using it. And as researchers in humanities disciplines and as socially oriented researchers

00:34:29.040 --> 00:34:36.040
in general, we have a key role to play in this. As well in general as working towards

00:34:36.040 --> 00:34:43.040
the development of more inclusive, ethical and importantly critical approaches to envisioning,

00:34:43.040 --> 00:34:50.040
and using these kinds of tools in the future. And here I can just about stop. So there are

00:34:50.040 --> 00:34:55.040
just some references from the work that I've talked about today and if you're interested

00:34:55.040 --> 00:35:00.040
more in corpus linguistics and how it can be used to look at health topics and the health

00:35:00.040 --> 00:35:06.040
humanities broadly, this book I recently authored with Luke Collins provides a lot of context

00:35:06.040 --> 00:35:11.040
on the approach. Yeah, and so there I can stop. Thank you for listening.

00:35:13.040 --> 00:35:21.040
Music

